X:1
T:1. Bushes and Briars
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:Am
"^Lento e molto espressivo" E2 | AA B3 A | G2 A3 B | cd e2 (dc) | B4 (cd) | e4 (dB) |$ c4 B2 | 
w: Through|bush- es and through|bri- ars, I|late- ly took my _|way; all _|for to _|hear the|
A4 (BG) | E4 DD | Ec- c4 | B4 (cB) | A6- | A4 (cd) |$ e4 (dB) | c4 B2 | A4 (BG) | E4 DD | 
w: small birds _|sing, And the|lambs to _|skip and _|play.|_ All _|for to _|hear the|small birds _|sing And the|
Ec- c4 | B4({cd)} (cB) | !fermata!A4 |] 
w: lambs to _|skip and _|play.|



X:2
T:2. Tarry Trowsers
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/8
Q:1/4=75
M:2/4
I:linebreak $
K:Daeo
"^Allegretto" C | DA AB | GG/A/ (G/F/)D/D/ | G>A G(F/E/) |$ FG A2 | A(A/B/) cd | GG (A/B/)c | 
w: As|I walked out one|fine sum- mer's morn- * ing, The|morn- ing being both _|fine and clear,|There I _ heard a|tend- er mo- * ther|
G>E A((A/B/)) | (A/G/)E D2 |] 
w: Talk- ing to her _|daugh- * ter dear.|



X:3
T:3 A Bold Young Farmer
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/4
Q:3/8=80
M:6/4
I:linebreak $
K:Ebmix
"^Andante con Larghezza" E | E2 E B B B | (A F) G E2 B |$ e2 d c B A | d2 e B2 B/B/ | 
w: A|bold young farm- er he|court- * ed me, He|gained my heart and my|li ber- ty, He has|
e2 d c B A |$ E2 F G2 E/E/ | (A3/2 G/) F (d c) B | (A F) G !fermata!E2 |] 
w: gained my heart with a|free good will, And I|must _ con- fess _ I|love _ him still.|



X:4
T:4. The Lost Lady Found
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/4
Q:1/4=150
M:3/4
I:linebreak $
K:Daeo
"^Allegro commodo" C | D A A | A B A/A/ | G E C | D2 C | D D E |$ F E D | G F G | A2 (A/B/) | 
w: 'Twas|down in a|val- ley a young|dam- sel did|dwell, She|lived with her|un- cle as|all knew full|well, 'Twas _|
c A G | A d d |$ c A A | d2 d | c A (A/G/) | F D D | G E C | !fermata!D2 |] 
w: down in the|val- leys where|vio- lets are|gay, Three|gyp- sies be- *|trayed her and|stole her a-|way.|



X:5
T:5. As I walked Out
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Daeo
"^Moderato espressivo" C2 | D2 A2 (AG) F2 | G2 (GF) D2 (fe) | d2 (cA) B2 c2 | d6 f2 |$ d2 d2 ccAA | 
w: As|I walked out _ one|May morn- * ing, So _|ear- ly _ in the|Spring; I|placed my back a- gainst the|
G2 GE C2 DE | (FG)AG (E>F) (G>F) | D6 |] 
w: old gar- den gate, And I|heard _ my _ true _ love _|sing.|



X:6
T:6. The Lark In The Morning
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:F
"^Moderato grazioso" (F>A) | c2 c2 (c>B) | (A>G) F2 F2 | B2 B2 B>A | G4 (A>B) |$ cd _e2 d2 | 
w: As _|I was a- *|walk- * ing one|morn- ing in the|Spring, I _|heard a pret- ty|
(c>A) (FA) (GE) | (FG) A2 G2 | F4 (FA) |$ c2 c2 (c>B) | (A>G) F2 F2 | B2 B2 (B>A) | G4 AB |$ 
w: dam- * sel _ most _|sweet- * ly to|sing, And _|as she was- *|sing- * ing these|words she did _|say "There's no|
(cd) _e2 d2 | (c>A) (FA) (GE) | FG A2 G2 | !fermata!F4 |] 
w: life _ like a|plough- * boy's _ all _|in the month of|May.|



X:7
T:7. On Board A Ninety-Eigght
C:Collected (and set with an accompaniment) by R. Vaughan WilliamDdor
Z:Transcribed by Lewis Jones
L:1/4
Q:1/4=120
M:4/4
I:linebreak $
K:Ddor
"^Allegro" A | d d A (G/F/) | G E C (D/E/) | F G D C | D3 (D/E/) |$ F G (A/B/) c | d e d (c/A/) | 
w: When|I was young and _|scarce eigh- teen, I _|drove a roar- ing|trade; And _|many a sly _ trick|I have played On _|
G c (B/A/) G | A3 (D/E/) |$ F G (A/B/) c | d e d (c/A/) | G c (B/A/) B | A3 (c/A/) |$ d d c A | 
w: many a pret- * ty|maid My _|par- ents saw _ that|would not do, I _|soon would spend _ their|store, So _|they re- solv'd that|
(G/A/)(G/E/) C (D/E/) | F G D C | D3 |] 
w: I _ should _ go On _|board a Man- of-|War.|



X:8
T:8. The Captain's Apprentice
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/8
Q:1/4=75
M:3/4
I:linebreak $
K:Dm
"^Lento" G2 | AA D2 AA |[M:4/4] GAFD CD z D |$[M:3/4] FA (c>A) dc | A(c/G/) A3 D | FA (3c2 d2 e2 |$ 
w: One|day a poor boy to|me was bound ap- ren- tice, Be-|caause of his _ be- ing|fa- ther- * less; I|took him out of Saint|
(3(dc3/2G/) c d2 A | GA C2 DD | EF D3 D |$ FA (3c2 d2 e2 | (3(dc3/2G/) c d2 A | GA C2 DD | 
w: James' _ _ work- house, His|mo- ther be- ing in|deep dis- tress. I|took him out of Saint|James' _ _ work- house, His|mo- ther be- ing in|
EF !fermata!D2 |] 
w: deep dis- tress.|



X:9
T:9 Ward The Pirate
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/4
Q:1/4=120
M:4/4
I:linebreak $
K:D
"^Moderato, alla Marcia" A | G F E D | F G A d | B A F D | E3 A |$ G F E D | F G A d | 
w: Come|all you gal- lant|sea- men bold, all|you that march to|drum, Let's|go and look for|Cap- tain Ward, far|
d A F3/2 G/ | A3 A |$ d3/2 B/ e d | (c B) A (d/>c/) | B A F D | E3 D |$ F A D E | F A d A/>B/ | 
w: on the sea he|roams; He|is the big- gest|rob- * ber that _|e- ver you did|hear, There's|not been such a|rob- ber found for a-|
A3/2 G/ (F/D/) E | D3 |] 
w: bove this hun- * dred|year.|



X:10
T:10 The Saucy Bold Robber
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/4
Q:1/4=120
M:3/4
I:linebreak $
K:Cm
"^Allegro" G | C (C/D/) (E/F/) | G G F | G e d | c C G | C (C/D/) (E/F/) |$ G G F | G e d | c2 B | 
w: O|come you _ good _|peo- ple that|go out a-|trip- ping, I|pray give _ at- *|ten- tion and|list'n to my|song; I'll|
c e d | c/ B3/2 G/A/ | B c (B/G/) |$ (F/E/) F (E/F/) | G c (B/G/) | B A G | (F/E/) C (C/B,/) | 
w: sing you a|dit- ty of a|jol- ly bold _|rob- * ber, Stood _|se- ven foot _|high in pro-|por- * tion quite _|
!fermata!C2 |] 
w: strong.|



X:11
T:11. The Bold Princess Royal
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/8
Q:1/4=120
M:3/4
I:linebreak $
K:G
"^Moderato risoluto" DD | G2 G2 (AG) | FF GG (3(ABc) | d2 d2 (cA) | d4 cc |$ B2 A2 G2 | 
w: 1. On the|four- teenth of _|Fe- bru- a- ry we _ _|sailed from the _|land, In the|bold 'Prin- cess|
(AF) D2 D2 | F2 G2 A2 | D4 Bc |$ d2 d2 (cA) | d2 d2 cA | (BG) A2 G2 | D4 (3(DEF) |$ G2 G2 GA | 
w: Roy- * al' bound|for New- found-|land, We had|for- ty brave _|sea- men for our|ship's _ com- pa-|ny, And _ _|bold- ly from the|
(Bc) d2 dc | B2 G2 A2 | G4 D2 |] 
w: east- * ward to the|west- ward sailed|we. 2. We (etc.)|



X:12
T:12. The Lincolnshire Farmer
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/8
Q:3/8=60
M:6/8
I:linebreak $
K:Eaeo
"^Allegro" (G/A/) | BGA B2 G | FED E2 (F/G/) |$ AFD DEF | FEE E2 D | E2 F G2 A |$ Bcd e2 d/c/ | 
w: 1. Good _|peo- ple at- tend and|soon you shall hear, It's _|of an old far- mer lived|in Lin- coln- shire, A|York- shire boy he|kept for his man, For to|
BAG F/F/ED | FEE E2 (G/A/) |] 
w: do all his bus'- ness as you|shall un- der- stand. 2. Now (etc.) *|



X:13
T:13. The Sheffield Apprentice
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/4
Q:1/4=120
M:4/4
I:linebreak $
K:Em
"^Andante con moto" (G/A/) | B B A F | D2 E E | F3/2 G/ E D | E3 E |$ G G A A | B B2 G | 
w: I _|was brought up in|Shef- field, but|not of high de-|gree, My|pa- rents do- ted|on me, they|
A3/2 B/ c d | B3 E |$ G A B ^c | d2 e d | e B (B/A/) G | A3 (d/^c/) |$ B A B E | D2 E F | 
w: had no child but|me; I|roamed a- bout for|plea- sure, wher-|e'er my fan- * cy|led, Till _|I was bound ap-|pren- tice then|
G E F G | !fermata!E3 |] 
w: all my joys were|fled.|



X:14
T:14. Geordie
C:Collected (and set with an accompaniment) by R. Vaughan Williams
Z:Transcribed by Lewis Jones
L:1/4
Q:1/2=80
M:3/2
I:linebreak $
K:Am
"^Andante con moto" G2 | A B c2 d2 | B A E2 e2 |$[M:2/2] d B/A/ (G/A/)(B/c/) |[M:3/2] d2 B3 B | 
w: As|I walked o- ver|Lon- don Bridge One|mid- sum- mer's mor- * ning _|ear- ly, O|
c d e2 (A3/2 G/) |$ A B/B/ c2 (B3/2 A/) |[M:2/2] B E E D |[M:3/2] (E A) A2 |] 
w: there I spied a _|fair pret- ty maid, La- *|ment- ing for her|Geor- * die.|



X:15
T:15. Harry, The Tailor
C:Collected (and set with an accompaniment) by R. Vaughan Williams
P:To the tune of "The Tailor"
Z:Transcribed by Lewis Jones
L:1/8
Q:3/8=100
M:12/8
I:linebreak $
K:Daeo
"^Allegro" (A2 B) | c3 A2 B c3 c2 c | d3 A2 B c3- c2 c |$ (d2 c) A2 G A3 B2 A | 
w: When _|Har- ry, the tail- or was|twen- ty years old _ He|'gan _ for to look with a|
(G2 A) G2 F E3 D2 C | D3 A2 A A3- A2 B |$ c3 A2 B c3 c2 c | d3 A2 B c3- c2 c | 
w: cour- * age so bold. Tu- re-|lu- tu- re- lay. _ He|told his old mo- the he|was not in jest, _ But|
d2 c A2 G A3 B2 A |$ (G2 A) G2 F E3 D2 C | D3 A2 A A3 A2 A |[M:6/8] G2 F D2 C | D6 |] 
w: he could have a wife just as|well _ as the rest. Tu- re-|lu- fol- de- lol- fol- de-|lid- dle- lad- di-|lay.|